Jul

17

What drives a story more than character? I’m on my fourth rewrite of The Ghost of Ridge Hill and find that more and more my characters need to be defined by individual characteristics.
In the first draft, Anthony was the POV character, because I heard that boy stories were needed. (which shows that you should never write to the publisher gossip). However, in a manuscript critique I entered through the Florida Pen Women, three out of four critics said it was Mattie’s story, which brought the first rewrite.
Then at the Cape Cod Writers Center Conference in August of 2010, a critique came that the ghost should appear more. Thus the second rewrite! Now I’m working with a literary editor. (I thought I needed another point of view at the text because I was SO familiar with it, I couldn’t remember what was repeated.) Patty is a marvelous help on that.
However, Patty thought the story would be more unique if it came from the ghost’s POV rather than Mattie’s. SO the third rewrite is now coming through. Will I EVER get this book completed?? Yes! My goal is mid-August!!
Which brings me to the subject of character!
With each rewrite, the characters have become more clear and have taken on a life of their own.
Their appearance, clothing, gestures and expressions are more vivid. I describe their body shape, their movements, objects that are important to them. And of course the setting and placement in the story have an effect of them also.
For instance, Anthony is the prime mover of one chapter when he and Mattie are in the woods where he grew up. But Mattie takes on the “boss” role when they are in her house. And, of course, Ruby, the ghost, is always hovering by an elbow or a window putting in her three cents.
A minor character, Mrs. Sturgis, whose daughter is the librarian, comes in for two chapters. She’s integral to a twist in the plot, but seemed flat. Patty suggested giving her a character flaw. I am giving her an odd quirk, which adds a bit of humor to her scenes and creates a more interesting person to read about. As I contemplate and write her quirk, she is becoming a more interesting character.
Also considering character, in a book they need a wide range of emotional reactions. Mattie shows excitement at the discovery of the ghost in her new house, yet feels fear at the attempt to exorcize her. Anthony is quiet at the beginning of the book but becomes an integral part in the exorcism in the middle. Ruby, the ghost, grows in strength as she is able to appear, speak through Anthony, and finally toss leaves over the two friends.
Characters need a wide range of complexities, both in physical, emotional and spiritual levels. As these become more prominent, their inner life and thoughts become more important to the movement of the story.
I find character charts help me a lot in remembering my subjects, especially with minor characters who appear only occasionally, like Mattie’s and Anthony’s parents. I find myself referring to them off and on. Was Sheila’s hair blonde or brown? Did Nan have curly or straight hair? Were Anthony’s glasses steel gray or horn rimmed?
Have fun with your characters. They eventually become your friends.

Creatively,
Christina

Jul

6

July 6, 2012

Recently I was reminded of Pulitzer Prize winner Ernest Hemmingway’s 6-word story and wondered what six words would describe me or my book characters. He wrote: “For sale: baby shoes, never used” which brings a complete and poignant picture to mind.
Can you describe yourself in six words? I’ve been doing some biblical research lately, so I began to look at Bible characters in terms of descriptions. The first to come to mind was David, “a man after My own heart” (1 Sam. 13:14, Acts 13:22). Then the self description: “Paul, an apostle of Jesus Christ” (Eph. 1:1) or his description of his disciple: “Timothy, my true son in the faith” (1 Tim. 1:2). The description of Jesus, “became flesh and dwelt among us” (Jn. 1:14), is profound.
Then there are the phrases that tell us ABOUT a person: Joshua “son of Nun, of the tribe of Benjamin” (Num. 13:8-9) tells about his background, or King Saul “stood head and shoulders above everyone” (1 Sam. 9: 2c) gives us a physical description.
What six words would you use to describe you? How can this exercise in precise descriptions of people of faith inspire you to think about what six-word description would best describe your characters? Would I describe myself saying: “a poet, author and active volunteer” or would I say: “woman on fire for the Lord”?
This could also be helpful in describing the characters in our books. Mattie, my ten-year-old heroine in “The Ghost of Ridge Hill”, could be described as “curious, Wicca-loving, ten-year-old” or of her cohort, Anthony, “sensitive, bike-riding Red Sox fan”. The ghost, Ruby, is “potential murder victim haunts small town brownstone”. And so on.
How can you use this exercise to be more concise with your character descriptions?
Have fun – try it!
Creatively,
Christina

Jun

29

June 29, 2012

I’m so excited! My “C is for Cape Cod” book has been accepted by a publisher! Two years of research, another of writing the text and creating 4-line poems for each letter, and then another year searching for a publisher are now behind me.
Here’s how it happened.
One day I sent for and read the catalog for Islandport Press in Yarmouth, ME, looking for Christmas books for my grandchildren. I happened to see a beautiful book, “A is for Acadia,” about Mount Desert Island off Boothbay Harbor. As a child I accompanied my parents on trips to Acadia National Park while we vacationed in Maine and I loved the whole island.
I thought, “If they’ve done an A-B-C book on Acadia, maybe they’ll be interested in one on Cape Cod.” I didn’t get my hopes up, because other publishers, although they liked the concept, had rejected it because it was too regional. My arguments were that people from all over the world come to Cape Cod and would love a book that appeals to two- to 12-year-olds. But no one seemed to agree with me. So I sent my query with six letters (including Q and X) and said a prayer as I hit “send.” The three-month waiting period seemed to go fast, but I was involved in the fourth rewrite of my middle grade ghost story.
Then came an email: “Please send us the whole book.” Off it went in the return mail. Exactly three months to the day, the reply came. I was impressed.
Following the acceptance, came the contract which we discussed over several emails. When I received my copy back with the president’s signature, I KNEW I had a published book! Now come the rewrites and revisions. But the hard work is over, and I am excited to have my first (fourth I’ve written) children’s story on the way to the book store shelves.
SO – when can we buy this fantastic book? You ask. Spring 2014!! That long to wait? Yup! Seems like forever, but I’m already collecting addresses for announcements and books stores to line up for signings. If you’re interested in a copy, email me your information and I’ll include you on the list!
Creatively,
Christina

Jun

10

Phew! It’s done! I’ve finished my middle grade book, “The Ghost of Ridge Hill”. It’s now in the hands of an editor and my next goal is to find a publisher!

What is unusual about this ghost story is that the ghost, a seven-year-old girl, plays an integral part in the book. She lingers around Mattie, 10, who has moved with her parents, a lesbian couple, from Pennsylvania to a small New England town. The ghost scoffs at Anthony, the boy next door who thinks there’s a ghost, isn’t sure he believes in them, but who is intrigued with Mattie and her quest to send the ghost Home to heaven.

In the process, all three characters have father problems. The two kids discuss them. Mattie has never had a father and occasionally, at gatherings like father–daughter dances, is at odds about what to do. Anthony has an alcoholic father who yells a lot. In the process, the two share their problems and serve as sounding boards. Ruby, who has been hanging around since 1913, wants to set straight the record that says her dad killed her.

Old papers come to light answering some questions. A librarian refers the kids to her mother who conducts a séance. A diary is discovered which reveals the lives of the two sisters. An exorcism takes place and Ruby is sent on her way to the Heavenly home to join her father, mother and older sister Ginger.

This happens to be my fourth rewrite. First it was Anthony’s story, then Mattie’s story. Then the ghost came into the picture. Finally is this revision that SEEMS to complete the work. Of course writers know that one has never finished her work. Even when a book is published, we still seem to edit. I am still reworking the haiku from my book “Seasons Rising: A Collection of Haiku”, which was published in 2011. Our work is never done.

But I am celebrating that the major work of writing (I began this book in 2008) is completed. Perhaps by 2014 the book will be between two covers!!!
Creatively,
Christina

May

26

For the past two weeks, I have been on a tour: “The Land of Jesus and the Footsteps of Paul.” Sponsored by Harvest Church in Riverside, CA, the tour focused on Israel and the places Jesus visited, including a boat trip on the Sea of Galilee and communion in the Garden of Gethsemane. The second half was a Mediterranean cruise which stopped at Sicily; Ephesus, Turkey,; and Athens, Corinth and Crete, Greece.
The amazing review of Israel and the first century church inspired me to write a journal describing what I saw, smelled, heard, tasted and touched. It reminded me of how important it is when we write to include those senses in our work. To be told that the dinner was delicious is far outshined by a sentence saying: “The aroma of steamed carrots and baked apples wafted from the kitchen. Alan’s mouth watered.”
When you write, think of what the scene is like. In a street, what does the pavement smell like? Has it rained? Is there a scent of cement? Is it cold? Is there garbage around the corner? Or are you walking past a bakery? It is the scent of something that brings us back to another time or place. Scents are strong reminders of the past.
What about sounds? Standing on a busy street the sound of cars is very different from cars on a country road. A siren in the city bounces off buildings but in the country it disappears in the distance. The cacophony of bird songs in May is very different from the chirping in August.
And feeling again brings a different response. Have you ever compared Oriental rugs? Wool is thick and smooth but silk is soft and slippery. We had the chance to experience the different types of Oriental rugs in Turkey when we visited a factory where they made rugs by hand. The feel of an iris petal is softer than the grass. The salt water and pool water have very different sensual responses on the skin.
Of course we can’t forget sight. What is behind that tree? Inside the house? Under the tarp? What one person sees another may overlook. The author sees all, but chooses to relate only part of what s/he sees.
Taste? Turkey tastes milder than steak. How do they feel on the tongue? Onions are sharp on the side of the tongue. Honey stimulates the front.
All these senses when communicated to the reader bring life and vitality to an otherwise dull story.
Where can you add the senses to create life and excitement in your work?
Creatively,
Christina

May

7

Last weekend I spent in Washington, DC, with some 90 Pen Women from all over the country. The experience was most stimulating and exciting. In addition to being elected third national vice president of the National League of American Pen Women, I won three poetry prizes, a first, a third and an honorable mention. Consequently, I was invited to read at the Library of Congress on Thursday afternoon, April 19, with two state poet laureates (Delaware and Alabama) and two national book award nominees. I certainly felt humbled!
One of the things I love about Pen Women, of which I have been a member for 47 years, is the continual learning I am acquiring with each branch or national meeting or board meeting. A gathering of professional women artists, writers and musicians, the Pen Women is the oldest women’s professional organization in the world, being founded in 1897. Our headquarters is in the Dupont Circle area of DC in a four-story brownstone which is a museum in itself. It’s a mere four blocks from the White House!
I continually learn from the workshops, meetings, and casual conversations that I am privileged to experience both in our Cape Cod Branch and nationally. Women who may be younger than I but who have been professionals longer have advice from how to promote myself, to crafting my writing, to public speaking, to finding agents or venues for publication and so much more. The professional web site, www.AmericanPenWomen.org or www.NLAPW.org , is full of information on webinars, contests, poetry, news, reviews, and much more.
At the biennial, held in the very central L’Enfant Plaza Hotel, we experienced beautifully professional concerts, lectures, seminars, workshops, panels and videos. If you look at the web site and click on “biennial”, you will see a smattering of what we were treated to for four days.
Creatively,
Christina

Apr

24

Donald Maas continued talking about the three kinds of protagonists in a novel during his all-day workshop in Dedham.
First, the Everyman/Everywoman: what are their characteristics: are they good, strong, admirable, fun, notable? What is active or noble, positive about this character? Then give them a fatal flaw, something that trips them up on their way to their goal. This adds interest and conflict to the story.
Second, is the Hero/ine: put them in the way of danger, Maas encourages. Give them high authority, a problem or job with action and possible danger (like police, seals, high government position, etc). Give them a characteristic, something that makes them a ‘regular” type folk (like a tick, puts glasses in a strange place, can jump out of an airplane but never learned to Parallel Park). Then build the character into a bigger than life person to attack a problem.
The third type of protagonist in a novel is the dark protagonist, the anti-hero. He’s dark, haunted, wounded, self-loathing, or actually inhuman (shape-shifter, fallen angel, werewolf).
Finally, Maas encourages the writer to illustrate one important characteristic of the protagonist in the first five pages by SHOWING how he responds in one particular situation. This sets in our mind the type of person the protagonist is. How do we see the longing, desire, and need of this character? Is there something symbolic that the writer can show us to illustrate what this character hopes for, needs, wants? “Make the reader FEEL the longing for change, or normalcy,” Mass said.
Now write it!
Creatively,
christina

Apr

24

Last weekend I attended an intensive, all-day workshop with Donald Maas, author of The Breakout Novel and head of his publishing firm. After 24 pages of notes, my head was swimming, but here are some of the best points.
He opened by asking us: how do you experience fear, shame, anger, embarrassment, brokenness, loss, war, abuse, and what is unacceptable in life for you. Then he said, what is it like to feel these emotions? Put them into your protagonist.
Most characters, he continued, don’t feel strong/passionate enough. Many writers have resistance to writing the fearful emotions, but “GET OVER IT! IT’S ONLY A NOVEL”. What would happiness, anguish, fear look like for the character? What would s/he be able to do that s/he can’t do now? What is currently blocked that could unravel for him/her? What would make him/her more human? These are some of the questions he posed to deepen a character.
Create tension through conflicting ideals or values in the protagonist and antagonist or even in a minor character. This causes a problem, a dilemma for the character to solve, making a more interesting plot. Create full minor characters to make a deeper novel.
Next look for the irony in the scene. If emotions are high/strong, contrast them with normal or even dull spots. High action – low emotion, low action – high emotion. He encouraged us to pick eight scenes in our book and go bigger or smaller in the action, details, movement of scenes; find a new depth and work it out. “Too many MS are too dull and familiar – go deeper,” he said.
Creatively,
Christina

Apr

6

What are the important items you need in your life as a writer? Here’s my list:

1. A large desk – enough to hold my lap top, file, pencil/pen container, files, calendar, writing materials and notes.
2. File cabinets – I file each story/book in a different drawer in a file folder or notebook. In another I have books or stories completed but not published. In a third I have all my writing information files and personal /house files.
3. Bookcases – hold all my reference books and literature
4. A good library – includes a dictionary, thesaurus, rhyming dictionary, concordance, and books on writing and publishing.
5. Beverage – When writing I become thirsty. Coffee in the morning, water, and then tea in the late afternoon.
6. A daily calendar – It’s a loose leaf one so I can punch correspondence and include in date. I record when I’ve sent out items, writing appointments, money spent (with receipts taped to the day), published works, responses, etc. This comes in handy at tax time.
7. A break – I often take a day break by walking to the post office (1/2 mile), gardening (spring-fall) or house pick up (winter). A longer break may include a day of skiing, shopping & errands, visiting grand children, a bike ride, kayaking, etc.
8. A writing schedule – although I often don’t keep it, I have blocked out specific times to write: 10-1, 3-5 and 7-10 p.m. on three days a week. I usually get one of these times into most days.
9. A writing group – is essential to improving your work. Nothing like a group of peers to critique your writing. It will set you on the right track and learn better ways of creating.
10. Knowing when to stop – I often stop writing in mid-sentence or mid-paragraph. It’s easier to pick up where I left off AND this defeats writer’s block. At night I often dream about the plot, problem, or character flaw, awaking with the problem solved.

One word of advice: Turn off the email! – I limit myself to a half-hour a day to email, usually 10-10:30 a.m. Otherwise, I could be at it all day – and sometimes has done so – much to my regret!

What are your 10 most important essentials to your writing day?

Creatively,
Christina

Apr

2

Last week several from our writers group finessed our reading time to attend a lecture at Falmouth Academy by historical non-fiction writer Geraldine Brooks of Martha’s Vineyard. Her books include “Year of Wonders”, “People of the Book”, and her Pulitzer Prize winner “March”. Her subject was “Details of Language and Importance of Narrative.”
“Find a story that intrigues you,” she advised, as she related how she “met” her character Caleb while doing research for another book. She likes stories “where I don’t know everything,” where she knows something but needs to fill in facts and narrative.
“First I need a voice,” she said, confessing that she prefers a feminine narrative voice. “Someone has to rise up out of the grave and speak to me. I am drawn to voices not heard in the history books.” She explained that sometimes she lives with a name or historical event for months before something or someone emerges. Once she finds that voice she begins to research and record the story. She moves through the plot plan asking “what if …” and “what if it had gone this way …” to spark her imagination. She admitted that it takes three or four years to complete a book.
“It’s important to get the language correct when you’re writing historical fiction,” she said. Words we use today may not even have been created in the time of the book. Idioms and phrases may be out of place. For that reason, she devours journals, newspapers, public records, genealogies, court cases and letters until the voice and the language become clear. She has found voices in church records and local court cases where a woman must speak for herself.
With a smattering of humor and many personal stories, Brooks charmed her audience, which filled the Academy gymnasium. It was a most entertaining evening.
Creatively yours,
Christina

Mar

25

Time seems to go so swiftly.
This winter I spent a lot of time on the ski slopes, one of my favorite winter pastimes. I spent a week at Snowmass/Aspen (with a side trip to Evergreen to visit a cousin) and then to Courmayeur, Italy, plus several multi-day trips with the Cape Cod Ski Club.

You’d think that I’d have lots to write about after all that traveling. Perhaps it will fester and produce more creative endeavors. The scenery was certainly inspiring!

However, I haven’t been idle in the writing world. I sent a poem to the Naugatuck Review, and had a poem published in the Bay State Echo, the publication of the Massachusetts State Poetry Society (see below). This also will appear as the “Poem of the Week” on the www.NLAPW.org web site on Thursday, March 29. I’ve won a third prize in the Biennial Pen Woman haiku contest and a first prize for my “Winter Night” poem. I read “Going Away Gift”, a list poem, at the February Calliope poetry group and have a children’s book being considered by a Maine publisher.

So today I hope to get back into a regular habit of blogging once again. Welcome back to you – and to me.
Happy creating,
Christina

Bare branches
flung across the moon
throw eerie shadows
on my bedroom wall.
Across the ceiling
they reach claw-tipped arms
to yank out the nightmare
of my soul.

Oct

17

October 14, 2011

Last week in our Cape Cod Children’s Writers group, I read chapter 7 from The Ghost of Ridge Hill, which I hope to publish this year. The group caught the word “moon” or “Moonlight” 18 times in 13 pages. Guess what time the chapter occurred!!! When I arrived home to correct my third draft of this chapter and book, I discovered the word “look” was repeated nine times.
With my “moon” slip, I just took out most of the references or changed the sentence to refer to the evening in another way. However, with “look” I turned to my trusty Thesaurus, which should be on every writer’s desk. There I found 35 words or phrases including gaze, stare, glimpse, gander, regard, check out, inspect, scrutinize, notice, examine, observe, glare, watch, etc. Needless to say, I didn’t need to alter sentences, just substitute words.
Other dead words that fellow member Linda Williams always points out include walk, run, see, said, stop, far away, and others. For instance, instead of running you could sprint, race, jog, dash, bound, scurry, etc. Look at how much more descriptive each of these words is compared to run. Instead of “say” try utter, speak, whisper, pronounce, remark, vocalize. Or with walk you could use stroll, amble, hike, march, stride, meander, and so on.
Using a Thesaurus is invaluable to us as writers. It not only improves our own vocabulary but also challenges the reader to learn new words or phrases. Try it as an exercise to find as many words as possible for a simple “dead” word.
Last spring I had to write a poem to a painting of the ocean. I had writers block! I was frozen. So I sat down and wrote every word or phrase I could think of concerning ocean and water. After two pages, my writers block was gone and I had the base for the poem. It’s a way of stretching your mind. Try it!
Good writing,
Christina

Oct

9

October 7, 2011

One of the major rules of writing is to “show don’t tell”. Every writing teacher must repeat this a hundred times a semester, and yet we tell all the time.
Every important scene in a story or book should “show”. The characters should be in action, so that the reader can see it like a movie in her head. Let her envision what the characters are doing and how they’re doing it.
They should react to situations and other characters. They can reveal what they are thinking and feeling through their dialogue and actions.
To tell the reader “John had a quarrel” is much weaker than using the dialogue of the quarrel. Let John and Phil confront each other with angry dialogue and threatening actions. Or “Jane was afraid of the man that was following her” could be stronger by describing her short breath, racing heartbeat, sweating, looking over her shoulder, and trembling legs.
By showing, we are letting the reader “see” in his mind the plot unfolding. We are capturing his interest and holding it with pictures.
Think of your plot as a movie unrolling before you and write that.
Good writing.
Christina Laurie

Oct

7

September 2011
What a whirlwind of a summer. After May knee surgery and recovery in June, I whisked off to Prague to join 225 voices in a Mozart and Bernstein concert in the Prague Smetana Hall. Walking with a cane over those cobblestone streets was a test of balance and recovery! But the music was fantastic, the company great fun, and the scenery unbelievable.
Summer company barely left me when I turned my head again to writing. I have sorely neglected writing my blog, but I’m back, walking normally and hope to be more faithful as fall unfolds with its cooler nights and sunny days. How pleased I am to be rid of the summer heat!!
Christina Laurie

Jul

9

July 7, 2011

Everyone knows how important it is to hook a reader, especially a young reader, with the first page. Let’s assume you have a strong plot, a character who wants something and is compelled to achieve it as she overcomes obstacles, and you have believable characters. Here are seven techniques to help maintain reader interest, which were discussed by Beverly Letchworth, children’s author, in a Writer Magazine a few years ago.

1. Let every scene advance the plot. Each scene is like its own story with problem, crisis and climax, with a struggle or conflict.
2. Show, don’t tell. Showing characters in action or dialogue reveals more about them than just telling what happened.
3. Create tension through anticipation, suspense or surprise. Instead of resolving something immediately, keep the reader guessing.
4. Don’t tell everything up front. Tension in a story keeps the reader involved. Background, family issues, personality traits, fears and secrets should come out gradually, in dialogue or observance.
5. Don’t use long transitions. Some details may not be necessary, may slow down the story. Words like “finally,” “soon,” “a week later,” “that evening” bring us quickly to the nest scene without bogged down details.
6. Vary the mood. As in climaxes and conclusions, the mood also needs to vary. This evokes different e4motions –joy, disappointment, expectation, worry, excitement.
7. Use seductive chapter endings. Never complete a situation at the end of a chapter. End with a twist, or unexpected development. Readers are eager to learn what happens next.

Using these techniques can make a stronger story that impels the reader to keep turning pages.

Creatively,
Christina Laurie

May

22

May 20, 2011

The power of positive thinking has been addressed many times, but I have never seen it quite so well done as in Peggy Huddleston’s book Prepare for Surgery, Heal Faster.

Peggy is a psychotherapist in Colorado, formerly in Cambridge, MA. A graduate of Harvard Divinity School and an intern at Brigham and Women’s Hospital, Boston, she has taught workshops in self-healing in Boston, New York, Philadelphia, Paris and Amsterdam. She believes that healing from an operation comes from within the patient and is aided by prayer, self affirmation statements and support groups.

In August of 2004 I underwent total knee replacement surgery because of an accident which tore my meniscus. At the time, the surgeon said the other knee would have to be done eventually because of arthritis. Now is that time.

So I pulled out Peggy’s book and reread it. Her basic premise is four steps: (1) relax and feel peaceful through guided mediation and self responses, (2) Visualize your healing through positive statements and mental images, (3) Organize a support group, call prayer groups, talk with someone who has been through the operation and had a good experience., and (4) Use healing statements.

I’ve been working through this book for a week and am feeling great about my May 23 operation. But I was thinking … What if we apply these techniques to – GWAGH!!! – writers block?

Yes! If we think positive thoughts, positive happens. For instance: (1) I am a successful writer. (2) My mind is working on the next ______ (fill in the project). (3) My fingers are typing madly. (4) The ideas are flowing, my characters are developing, and the plot is fantastic.

Then – how about meditating to calm the mind. Focus on the writing project at hand and let the mind empty of everything else. Soon the idea will come to you. Then jot notes, start typing, develop a plot or character. Get working!

As soon as I get back from the hospital I plan to put this in action in my study. Who knows – perhaps my break out novel is about to come through my fingers!!!

Let me know if you try this – it might work!

Apr

25

April 22, 2011

Reading our own writing out loud tells us a lot about what we’ve put to paper. Hearing our voice, for some reason, causes us to HEAR our words differently than when we read them silently or on the screen.

Wednesday night I attended the monthly Writers Night Out evening sponsored by the Cape Cod Writers Center. It was “Poetry Night” and I was privileged to read three minutes of my poetry. I began with haiku from my book Seasons Rising, and then read three other poems: “Divorce”, “David’s Going Away Present” and my national prize winning poem “Winter Night”.

In reading out loud, I heard places where I wanted to change a word or phrase. Amazing! Even in Seasons Rising I found a line to switch, words to drop, a synonym to change.

We can never read out loud too much. Even when I read children’s’ books to my grandchildren, I hear places I might add or change the text. And sometimes I do just that to the comment from them: “Nana, that’s not in the book.” But I think it’s fun and almost wait for them to notice.

Here are several suggestions for reading your own work for criticism.

1. Put away your writing for a period of time. This gives you a fresh look at your work.
2. Give up any pretenses of plot, rhyme, words, character. See the work with a fresh mind.
3. Read slowly and out loud.
4. Tape your reading and play it back. It’s amazing what you hear when you listen to your own voice.
5. Print it out and read it. I find seeing the words on paper help me to be more critical and to notice more. I also can edit, shift paragraphs, correct spelling and punctuation as I hear where my voice halts, pauses and stops.

Have fun reading. It’s a part of you on paper!
Creatively,
Christina

Apr

15

April 14, 2011

Last week I wrote a silly story about a warrior who messed up his good deeds till he rescued a beautiful maiden from a giant-squirrel-guarded tower. Today I’d like to write a bit about creating with children and encouraging their creative mind to bloom.
My grandson and I composed the story together. He was in bed; I sat on the edge of the bed as we developed the story line. When working on a story, it’s good to ask questions, especially if there’s a silence. It helps the child to think outside the box, to create from his/her own mind. And it gives them an ownership of the story. He named the hero, he invented two incidents and a character, and I added the villain, which he thought was hilarious.
Secondly, it’s fun to act out some parts. When we arrived at the monster spot, I jumped up and threw my arms in the air and enacted a zombie walk. I made the monster voice low and gruff. Again peals of laughter.
When the fight between the hero and villain came, I stood up and acted out the sword fight. All this time, he’s sitting in bed watching, laughing but preparing for sleep.
This action is good in two ways. It engages the child in SEEING as well as hearing. Children are so visual today – TV, video games, WEE. It also gave him permission to let loose and be silly once in a while. Seeing the action adds to the entertainment of creation.
Thirdly, I subtly instructed him in the act of writing. By telling him we needed three scenes for Jordan to work through his mistaken deeds, I also am teaching him how to write a story with three incidents and an arc. The arc is the hero’s solving a problem. Jordan messed up with the beggar. He frightened the monster away which gave him courage to fight the giant squirrel.
Creating stories with children encourages them to let their minds open up to possibilities. The story doesn’t have to be publishable – surely mine wasn’t. The point is to help the child tot think, to invent, to make believe, to create outside the box. If you can act out a part of the story and not feel foolish, all the better. Kids love to play act. Think of Barbie and Ken, the farm toys, matchbox cars. In my youth it was paper dolls.
Creating with children means capturing a bit of the child in us we left behind. It’s fun. And – who knows – you may come up with a publishable book!!!
Try it – you may love it and it will certainly charm your prodigy!

Happy writing,
Christina

Apr

9

April 8, 2011

“Tell me a story, Nana,” my grandson said as I put him to bed. I mentally scrambled.
“About what, Sweetie?” I asked.
“Tell me about a warrior.”

“Once upon a time long ago, a young warrior …

What shall we call him?” I asked.
“Jordan.”

a warrior name Jordan, wanted to do good deeds for people, but he always seemed to mess them up. When he helped his mother with the garden, he planted the bulbs upside down. When he hitched the oxen to the plow for his father, he put them on the opposite sides and they refused to move.

One day Jordan decided to leave home and try his good deeds elsewhere. He kissed his mother good bye as she handed him a pack for lunch. He shook his father’s hand, patted his younger brother and sister on the head and prepared to leave.

Mounting his horse, he donned his armor and rode off toward a small town by the mountains in the distance. The sun rose behind him warming his back and the horses flanks.

So what happens to him?” I asked. “He needs to meet someone on the road and try to do a good deed.”
“How about a beggar?”
“And what happens? Remember Jordan tries to do a good deed and it fails.”
“ He gives him a ride and he falls off.”

On his way, he saw a poor beggar sitting at the crossroads. His clothes were torn and dirty and his matted hair stuck up like the pointed mountains in the distance. Jordan dismounted and walked over to the man. I will do him a good deed, he thought. “I don’t have any money,” he said, “but I can give you a ride to that city by the mountains.”

The beggar agreed as he hopped up behind Jordan. Off they rode toward the western mountains. Soon, however, the beggar began to complain that the horse’s rump was too hard. “And besides,” he whined, “it hurts to bounce up and down like this.” “Sorry about that,” said Jordan. “Perhaps if I go faster it will be better.” He spurred the horse to gallop and was riding so hard he never noticed that the beggar fell off in the dirt and rolled to the side of the road.

Now we need another problem that Jordan runs into.”                                                                                                                                                My grandson thought a while. “I don’t know,” he said. “How about this?” I asked.

Jordan rode on till he came to a well on the side of the road. Again he dismounted to drink and water his horse. As he approached the well, he found a dog panting and lying on its side beside the well. Another means to do a good deed, thought Jordan. “Poor dog,” he said. “You must be thirsty.” He took off his helmet, scooped up water and let the dog drink. Suddenly the dog fell over dead. The water had been poisoned! “The dog saved us from dying,” he said to his horse, who dropped his head and sadly nudged the dog with his muzzle.

“Oh, that’s sad.”                                                                                                                                                                                                                               “Yes, it is,” I said. “Shall we change it?”
He thought. “No, sometimes things are sad – like the time your cat ran away.”                                                                                                   “Okay, we’ll keep it. Now in every story we have three problems. What will the third one be?”
“A monster.”

Jordan continued on but he was hungry. By and by, he saw a wooded area. He dismounted there and led his horse to a grassy spot where he grazed. Jordan sat under a tree, opened his lunch pack and began to eat. WHOOSH! An ugly monster jumped out of the tree right in front of Jordan.

Now what does that monster look like?” I asked. “We need to describe him.”                                                                                                       “He’s ugly and has a big head and is furry all over, and his ears stick up and are round and he growls like this: Arr-rrr-ah.”   “Good,” I praise his description.

“Give me your food,” the monster growled in a big, angry voice. His big head wagged back and forth.                                                      “Not on your life,” replied Jordan, pulling his sword out of its scabbard.
“Then I’m going to take it,” cried the monster. And he jumped at Jordan. Jordan leaped aside and spanked the monster with the side of his sword right on his bum. The monster jumped in the air and ran off. (Peals of grandchild laughter.) Finally Jordan reached the plain that led to the mountain. There he saw a tower in the distance rising high into the sky. In front of it stood a seven-foot squirrel holding a small sword and wearing a helmet that slid over his left eye.

“A squirrel?” my grandson asked.                                                                                                                                                                                          “Okay,” I replied, “I know it sounds stupid, but it’s the first thing that came to my mind. I’ve been battling squirrels all morning off my bird feeder.”
My grandson shrugged. “Okay.”

The squirrel rose to his full height as he watched Jordan approach. He lifted his saber as the helmet started to slip over his left eye. Jordan drew his sword and jumped off his steed. He raced toward the squirrel and a vicious battle ensued. They slashed and swiped their swords. Jordan cut the squirrel’s leg and the squirrel cut Jordan’s arm.

Suddenly the squirrel’s helmet fell over his left eye. He reached up to push it back. Before the squirrel could swing his saber, Jordan struck him with a deathly blow, and the bushy tailed giant fell to the ground at the base of the tower.

“My hero,” Jordan heard from the top of the tower. Looking up he saw a beautiful maiden imprisoned in the top of the tower. He slashed the lock on the door with his sword, ran up the circular staircase to rescued the beautiful maiden.

I really wanted to end it with the girl riding back to his home and falling in love with his brother. But I left him in the tower to find a good deed of rescue to perform there.

Some things are better left unsaid.

Happy creating!

 (Tune in next week for a comment and critique on this!!!)

 

Apr

8

March 18, 2011

I’ve been silent. I’ve been on vacation, skiing with the Cape Cod Ski Club. We flew to Minneapolis – 28 of us – and then on to Anchorage. After a 40 minute bus ride southeast along the Turnagain Arm of Cook Inlet, we were deposited at Alyeska where the tram rose from the hotel to the 2800 foot top of the mountain.
The Turnagain Arm is a long body of rather shallow water at low tide which runs between the great Alaska Range two mountain ranges. In the mid 1780’s Capt. James Cook, while looking for a passage to the northwest, sailed up the bay but had to turn around because he ran into shallow water and mountains that blocked his path. That’s where the name Turnagain Arm came from. It looks like an arm from the top of Alyeska, in the Chugach Mountains where we skied.
For a week we skied in foggy weather for three days and the glorious sunshine for the last two.
Although it was a little early for brown bears to leave their dens, we visited the Wildlife Sanctuary where we saw three adults and a couple of cubs. Muskoxen, antelopes, wood bison, coyotes, moose, deer, a bald eagle and elk also lived there in a protective environment.
It was a glorious week of exercise, good food, nice people, and comfortable accommodations. But it also means the end of skiing for the year for me. (Read frown) After accumulating 25 days of skiing, the most I’ve ever done in a season, I am wishing I could continue on the slopes of New England. Unfortunately the skis are sharpened, the boots shined, the parka and clothes washed and put away.
Now the garden and lawn await spring attention!

Mar

5

March 4, 2011

Once one conquers the fear of one’s self, then there stands the fear of others with which to grapple. Bayles and Orland continue their discussion in Art and Fear by looking at fears about others.
“Art rarely emerges from committees,” they write. In other words, our writing comes from within ourselves. To look for approval from others is to give our art to a committee. The perils of being different are scary because they divide us from “others”. When we allow others to criticize our work and then let that criticism guide our future work, then we are giving ourselves and our art away. That is not saying to ignore criticism. However, to write to the audience is wrong.
For instance, vampires are big in literature now. But if you sat down to write a vampire book, when your real calling was to write a fantasy, then you are giving your work to the critic; you are prostituting your craft.
To give that power of control to others is denying your own gift as a writer. You are saying that your ideas, your expression, your technique are not as good as the audience. And that’s definitely not true.
Fearing what others think is to let popular favor guide, no push, you into what they want rather than to honor what your heart is producing. It’s all about having faith in yourself and in your particular, unique craft.
One of the tactics Bayles and Orland suggest is to leave some space between creation and presentation. After I write a poem, I have a drawer I slip it into. I date the poem and then leave it. When I return to it, not only do I look at it with a fresh critical eye, but I also see it as art rather than a part of my Self. Having Self torn apart in criticism is devastating. Having one’s poem critiqued is bearable – often very helpful.
“If the need for acceptance is the need to have your work accepted as art, then the accompanying fear is finding it dismissed as craft, hobby or decoration – or as nothing,” they write. Acceptance and approval are power held by others. Are you willing to give that much power to your reader or critic?

Jan

21

Thursday, January 20, 2011

My New Year’s resolution was to organize my office and my writing patterns. It’s nearly one month into that new year and I think I’m on my way.
To begin I bought another small file cabinet and multi colored file folders. I set up a 7” by 9” notebook with sections for each story/book I am working on. I added an envelope in front in which I insert all my work receipts for the month. At the end of the month, I total them up and record them on an annual sheet (for tax purposes) that I keep in the notebook.
The calendar in the front is where I record what I’ve mailed out, to whom and when it is rejected (That’s what I’m getting these days!) In that calendar are the tasks that come each week: my two writing groups, hospital volunteer day, baby sitting hours. Then I crossed off Monday, Wednesday and Friday to write, Tuesday afternoon to edit, and Thursday night to pick up and re-organize my work area.
I must admit that I don’t keep to the schedule rigidly, but it is a guide and keeps me more focused and on task. I tell myself I am a professional writer, and I need to act like one! It works!
Next on the list was cleaning the floor of my study. I picked a corner and worked there, throwing away, sorting and making piles to file. Every time I had a few minutes, I chose another section: the short bookcase, the wall shelves, the hassock, the desk top, the floor in the corner. Then each by each I worked slowly through them. One day I walked into the study and said, “Wow! I can see the Oriental rug and it looks great!” I also felt satisfaction as I started work that day.
Then I set to working on organizing my writing projects. I have two monthly and one weekly requirements that demand attention. So those I plan to work on first. Then I dig passionately into my writing and interviewing.
Already I can see a difference in my habits and writing dedication. It’s a great feeling to walk into my study each day and see organization, to know where to file something, and to have more time to write.
It’s an experiment. I am still honoring that Resolution. I recommend trying it.

Sep

16

 

 Thursday, September 16, 2010

Christina Laurie

             We in CCCW are women of words. Words are the most important part of our journey in writing. What we say and HOW we say it are paramount in selling our work. Part of that is description, which gives us a picture of a scene or character.

            Webster defines description as “a verbal (ie: words) account or portrayal of a person, scene, event, etc. To portray is “to paint a portrait of or to describe vividly in words so as to bring out the character”.

            The key word here is VIVIDLY. And this means descriptive words. To say “she had beautiful eyes” is non-descript. But when you tell me “Her dark, oversized eyes dominated her pale face” I have a good picture. “They jumped into the water” becomes stronger in “they leaped into the onyx quarry waters.”

            Long drawn out descriptions of a character are sometimes “skip material” where your eyes slip down the page, as mine did in chapter 2 of The Girl with the Dragon Tatoo, where the first 12 lines described Armansky’s ethnic background., It was the last sentence that grabbed me: “He was often referred to as ‘The Arab’ although he did not have a drop of Arab blood.”

Short sentences over several pages can also tell us about a character. In J. Bean Palmer”s second “Cape Cod Witch” book we learn about Elsbeth’s third grade teacher, Ms. Finch, in a number of short sentences in the first 50 pages. “Ms. Finch walked away with a pleased look in her prunish face… [Her] diabolical mind was working overtime… [Her] icy voice cut through… [She] let out a rare smile … [She} smoothed her skirt, shook herself a little, and cooed, “We’re all set, Mr. MacSweeney.”… [She} glared at each child, dampening spirits only slightly.”… NOW we know what Ms. Finch is like! This is a way of slipping in description subtly.

Phrases like: layers of dark, fluffy curls, the loud crunch of tires on gravel, itched to get a look, all hold action and picture.

Descriptive words like: Flo strides, water trickled, the smell wafted, the lush grass all create pictures in our minds. Finding the right verbs can put punch into a sentence. Good adjectives make a sentence come alive. Keep asking “Is there a better word?” In children’s books this is much easier than in a novel.

            Extraneous words should be cut. Reading out loud is the best way to pick up repetitive phrases. Strike out qualifying words like really, nearly, almost, seems, just. Get rid of who. Forget adverbs. Eliminate more than one or two adjectives per noun. Ann Whitford Paul in Writing Picture Books says, “Wasted words are any that don’t move your story forward.” Lisa Gardner in Alone sets a scene this way: “At the Boston Beer Garden, fourteen other guys were sitting around the rectangular-shaped bar, smoking cigarettes and nursing draft beers while zoning out in front of plasma-screen TVs.” Look at the strong verbs and descriptive adjectives she uses.

             Use specific, active verbs; avoid passive ones.  “The home team won the game” is much stronger than “The game was won by the home team”. “On the tree was hung a bright red crystal ball” becomes “A red crystal ball hung on the tree.”

            So watch your words. They are your best friends, but they also can kill a sale if not used right.

Good luck and have fun!

Christina

Sep

9

Writing a Children’s Book

Thursday, September 9, 2010

Christina Laurie

So you want to write a children’s book? You think they’re easy because they’re short? Well, here’s a starter.

First you need a story. Where to find one? Got kids? Listen to them at play. No kids? Go to the playground and eavesdrop near the sandbox. Stop in at the children’s museum and sit outside the dollhouse room or the costume trunk area.

Once you find a story, pick a character. Make the kid plausible, give the reader some reason for liking and identifying with this character. Build a history of the kid. It’s called “backstory”. Then give the kid a goal, something to reach for. And add a fear, an obstacle that can hold the kid back. Something he needs to tackle before starting on the journey to the goal. Or something he runs into during the quest.

As he works toward the goal, create two or three stumbling blocks or dead ends that give the kid problems, thwart him from reaching his goal. Be original. Keep asking “What if …?” as you work the plot.

The climax needs to be original to attract an editor. What is unique about this character reaching the goal? Does it have something to do with his fear?

After you’re done, create a smashing, eye-attracting opening sentence. Often they work best when you jump into the middle of the action. Then make sure the ending is complete, the goal has been reached, and a new or creative twist makes the story saleable.

Easy? Well, get started! Let’s hear the story at our October 3 writing workshop in Falmouth. We’ll all be there to critique and help you turn your ideas into stories that sell! Check out the details on our web site.


Aug

22

Thursday, August 12, 2010

Christina Laurie

                   All my life I have been a writer. As a ten-year-old kid I would take my notebook and pencil into the woods and write the most extra ordinary stories. Unfortunately I never finished them, so today as I read them I have no idea what was in my mind at that time. And, being written in pencil, many are illegible. But they sound creative.

          As a teen, I loved our high school Friday English assignments for compositions, and later wrote in journals about my children as they grew up.

Recently I began looking at how I began writing SERIOUSLY, as a real job. Although my newspaper work was beneficial in forming me as a writer, I think it was when I finally confirmed that, although I was not yet making money, I was, indeed, a professional writer.

In rereading Natalie Goldberg’s classic “Writing Down the Bones”, I was reminded of how important it is to make a conscious decision to write. I did this in a number of ways.

          First, I created a writing space with my computer, dictionaries, research and writing books, notebooks, and utensils (paper, pen, clip board, etc). This has become full room with desk, bookcases and artist easel.

          Secondly, I read a couple of books on writing. Some had great ideas for starting writing or getting out of writers block. But at some point one must stop reading ABOUT writing and just WRITE. So I did.

          Thirdly, I cut out time in my weekly schedule to write a minimum two full days a week. So now when my son calls to ask if I can baby sit, I say, “Nope, that’s my writing afternoon.” And no one in my family asks me to sit on Friday because they all know that Friday is my writing DAY.

          Next, I began a journal and gave myself permission NOT to write in it every day. That relieved the pressure and guilt, and frees me up to write two or three things in a day and then skip for several.

          Fourth, I have two one-hour spots in the week where I “clean up” my study – usually just before the cleaning lady comes. This keeps my study area neat and uncluttered. (But don’t come to look today!!!)

          Finally I have a list of ideas. Some are just sentences, some poems, some outlines, newspaper articles, sentences from a book or article . If I am stumped, I will go to that folder, but usually I don’t need it. It’s a golden box of future stories, poems or mysteries.

          Writing is a lonely occupation at times. We need to be holed up with our computer and just write. However, I never sit more than two hours without taking a break. I get coffee, sit and read, weed the garden, clean the toilets, hang out the laundry, swim or walk in the woods or on the beach.

          Not only does this get me out of the sitting position, which is not the best to be in for long periods of time. It gives me exercise, fresh air in my lungs, and moves me from physically typing to thinking about what comes next.

          Good luck on your own writing.

Christina

Books I recommend:

Writing Down the Bones, Natalie Goldberg

The Artist’s Way, Julia Cameron

Art and Fear, David Bayles and Ted Orland
Writing Picture Books, Ann Whitford Paul

Write Your Heart Out, Rebecca McClanahan

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